The manifestation of Buddhist thought in Chinese Buddhist plant patterns taking the Tang Dynasty as an example

Authors

  • Syed Ali Shah Assistant Professor, Department of Pakistan Studies, Abdul Wali Khan University, Mardan, Pakistan
  • Umama Wajid M.Phil Scholar, Department of English, Abdul Wali Khan University, Mardan, Pakistan
  • Syed kazim Ali Shah Demonstrator, Political Science Department Abdul Wali Khan University, Mardan, Pakistan

DOI:

https://doi.org/10.71085/sss.04.02.443

Keywords:

Buddhist Thought, Plant Patterns, Cultural Dissemination, Auspicious Meanings, Tang Dynasty

Abstract

Buddhist plant patterns are an important form of visual art for disseminating Buddhist doctrines and various regional cultures. This paper aims to explore the symbolic meanings of plant patterns in Chinese Buddhist art during the Tang Dynasty and how they reflect Buddhist thought. Therefore, the objectives of this study are: (1) to enhance understanding of Buddhist culture; (2) to advance the development of art history and aesthetics research; (3) to promote the protection and utilization of cultural heritage; and (4) to deepen the recognition and transmission of traditional culture. The methodologies employed in this study include: (1) literature review; (2) case study analysis; (3) semiotic analysis; and (4) field research. By analyzing specific artworks and documentary materials, the study reveals that Buddhist plant patterns not only had a profound influence on the aesthetics of Tang Dynasty art but also played a significant role in conveying Buddhist teachings and beliefs.

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Published

2025-06-30

Issue

Section

Articles